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A Lot or a Little?
What you will—and won't—find in this movie.
Cruel prince abuses his power; rumors circulate that magician has sold is soul to the devil; ambitious detective eventually does the right thing.
Violence & Scariness
Prince shoots at birds, keeps animal heads (from hunting) on his walls, brutalizes his fiancée, and covets a family sword used in a magic trick; duchess appears to be stabbed (bloodied neck) and dead (her pale body on display, then her ghost appears on stage); an angry mob demands that the magician be released from police custody.
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Sex, Romance & Nudity
Couple who are deeply in love kiss passionately and have sex, in filtered light and tight close-ups (not explicit).
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One f-word; prince calls his fiancée a "whore." Magician's Chinese assistants called "Orientals."
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Drinking, Drugs & Smoking
Detective smokes a pipe; wealthy characters drink wine and smoke cigarettes.
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Parents Need to Know
Parents need to know that the film includes some mysterious behaviors and effects, so the magic tricks and ghostly apparitions look convincing (via digital help). The prince abuses his fiancée verbally and physically. She appears to be stabbed, her neck and torso bloodied; her body is discovered floating in a river. She later appears as a ghost (among other ghosts) for a magician's show, frightening and awing the audience. Characters wield swords and the men threaten one another with violence, leading to a fight at film's end. One sex scene emphasizes the passion of the moment, without explicit nakedness. One character uses the f-word. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
A ravishing romance framed as a slow-moving mystery, THE ILLUSIONIST smartly questions the distinctions and overlaps between belief and truth. On one hand, it concerns a young couple whose love is denied by their class differences. In between, the film also looks at class and gender conflicts, with an acknowledgment of racism of the day (19th century Vienna).
Aided considerably by Philip Glass' typically swirling score, the film uses Uhl's skepticism to offset Edward's inscrutability and Sophie's passion, but all three characters live earnestly in a realm of faith and trust. While they all oppose the practical, egotistical prince by nature, they also fall under his rule. Leopold, by turn, hates their romanticism.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.
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Our Editors Recommend
Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.See how we rate