A Lot or a Little?
What you will—and won't—find in this movie.
The movie is very silly, but underneath the goofy stuff is the message that promise and heroism hide in the most surprising of personalities -- and that teamwork rules. There's also a key subplot about corruption and stealing, but they're not presented as admirable behavior.
Positive Role Models
The two main characters are bumbling types who just can’t get much right. But when they do, it’s amazing. They’re also fiercely loyal to each other, even if they don’t see eye to eye, and to their girlfriends/wives.
Violence & Scariness
Plenty of violence, though much of it is played for laughs. Shootouts, explosions, fistfights, traffic accidents, a suicidal jumper, two men falling to their deaths. A car slams into a double-decker bus full of tourists.
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Sex, Romance & Nudity
A couple exchanges some fairly detailed, raunchy sex talk, with her mother serving as go-between; plenty of risque one-liners and references. A woman practically demands sex from a character while her husband is in another room. A man ogles his work partner’s wife’s cleavage. Discussions about how one character was a pimp in college. Ferrell's character sings a song called "Pimps Don't Cry."
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Many uses of "s--t," “hell,” "ass," "bitch," and “a--hole,” plus occasional uses of "damn," "hell," "goddamn," and "d--k."
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Products & Purchases
Mentions of VO Hot Oil treatments, Febreze, Grand Theft Auto, Toyota Prius, and more. Logos/signage for Bed, Bath & Beyond, Mister Softee, USA Today, and many more.
Drinking, Drugs & Smoking
Cops race to a drug bust and wind up running over a big bag of cocaine, which explodes and coats their car.
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Parents Need to Know
Parents need to know that this offbeat Will Ferrell/Mark Wahlberg comedy is an irreverent send-up of buddy cop movies that will likely appeal to older tweens but is more age-appropriate for teens. Although the tone is light and comic overall -- and it isn't quite as raunchy as previous Ferrell hits like Anchorman -- the movie does include plenty of bone-crunching, guns-a-flying action sequences. There isn't a lot of gore, but there's plenty of cartoonish violence. There's also a fair bit of strong language (including several uses of "s--t") and risque sexual innuendo/banter (including one exchange that gets pretty detailed), plus one scene involving cocaine and a drug bust. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Let's get the basics out of the way: The plot of The Other Guys wouldn't hold up in any court of law. That's annoying, yes, and at times even distracting; the movie loses momentum in the end as it grapples with tying up the thin storyline's dangling ends (and there are many) and winds up giving the audience a tutorial on corporate fraud. And Anne Heche as a testy financier is woefully underused.
But all of that's a small-ish price to pay to watch Ferrell's singular and witty absurdity unspool onscreen. He milks every moment, no matter how it strains credulity and humor, and often pulls it off. He's paired perfectly with Wahlberg, whose air of danger is channeled into edgy hilarity. Some successes: A running bit about Gamble's seemingly unexplainable ability to lure ridiculously attractive women like Eva Mendes (who plays his wife) and the bizarre fate that awaits a pair of celebrity cops who indulge in Bourne Identity-like action sequences, complete with explosions and gunfire and macho, canned repartee. Hoitz and Gamble are unlike most other guys, and what a gift that is.
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Our Editors Recommend
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