A Lot or a Little?
What you will—and won't—find in this TV show.
With its over-the-top satire, this series provides a good example of corrupting power and false faith, both of which have dire consequences.
Positive Role Models
Characters pretend to care about the welfare of others, but are really only interested in money and power. Regressive dialogue about gender ("Flying around on private planes, being leaders -- that's men's business") makes ironic points about sexism. A boy calls his dad a "f---t" (a gay slur) when he kisses him goodnight, sending an iffy message about sexuality and masculinity.
Violence & Scariness
Violence ranges from the mild-but-troubling (a father slaps his son's face when the son says something that upsets him) to over-the-top (a character is intentionally hit with a car, which then backs up over him to make sure he's dead). Some violence is presented for comic effect, like when family members throw things at each other over dinner. A man is shot, and we see his bloody shirt, but no gore or his wound.
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Sex, Romance & Nudity
Sexual content is infrequent but mature: a woman's breasts and a man's genitals are visible in a video (while they dance and do drugs, not during sex), a man asks another man why doesn't he go "suck off" his roommate, a woman sarcastically tells a man to "eat" her "ass."
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Language and cursing includes "f--k," "f--king," "s--t," "assh--e," "damn," "hell." One character invents curse words in order to not use four-letter words: "bullcrud," "bullarkey." Characters flip the middle finger at each other.
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Products & Purchases
The Gemstones' trappings of wealth are frequently focused on: gated estate with security, private planes, expensive cars. It's clear, however, that money has not bought the family happiness or peace of mind.
Drinking, Drugs & Smoking
Drugs play a part in the narrative, with a character snorting white powder with a topless woman on a video, which is then used to blackmail him.
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Parents Need to Know
Parents need to know that The Righteous Gemstones is a comedy about a television ministry at a pivotal moment after the Gemstone family's matriarch has passed. Despite their professions, the Gemstone family engages is some very non-Christian activities. We see characters snorting white powder with a topless woman (her breasts are visible) with a nude man (whose genitals are visible) dancing behind them at a wild hotel room party. We also see violent scenes in which characters die or are grievously injured: suddenly stabbed, run over by a car which then reverses to make sure the victim is dead, shot. We see brief shots of blood but no gore, and the hit-and-run takes place from a distance so that we only see a silhouette being hit. In another troubling scene, a son calls his dad a "f----t" after dad kisses him goodnight; the father then slaps him in the face when the boy says something upsetting. Sexual content includes rude terms for sex acts ("suck off"). Language includes cursing ("f--k," "s--t," "a--hole," etc.) as well as made-up words by a character attempting to not curse: "bullcrud," "bullarkey." Characters are complex, but frequently duplicitous with authorities (religious and otherwise) who don't have their followers' best interests at heart.
Is It Any Good?
Southern-fried and stupid fun, this raucous drama scores by fooling us into believing it's a mild satire of televangelists before taking a crazy leap off a cliff. No spoilers here, but viewers who think they're watching a gently ironic comedy that just intends to poke holes in the pray-for-pay industry will soon learn that what we have here is mayhem with a veneer of humor. Those who find Danny McBride's overly self-confident moron schtick tiresome will be relieved to find that this is truly an ensemble cast: the Gemstones hang out a lot together, preaching to their flock in front of the cameras before repairing for elaborate "church lunch" and the like, but the camera also follows each of the Gemstones home to find just what's lurking under the family's happy shiny surface.
McBride, as you may have guessed, is the architect of the family's current strife, as a past misdeed turns out to haunt him, putting his status as the ministry's heir apparent in jeopardy. He's got trouble at home too: one son has already disowned the whole family, while another (Kelton DuMont) is promising to bolt the second he turns 18. Meanwhile Kelvin lives in his brother's shadow (and has secrets of his own), while Judy stews jealously, infuriated that she often gets passed over in favor of her brothers. Not to worry, Judy: you're firmly in the thick of the family's new drama; good thing, too, since Patterson's muttered asides are one of the show's surest laugh-getters. But The Righteous Gemstones' real MVP is Goodman, who anchors the goofiness in gravitas and more than a hint of menace. This show is a real hoot, can we get an amen?
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