The Son
By Joyce Slaton,
Common Sense Media Reviewer
Common Sense Media Reviewers
Quality drama about oil-industry family kind of a snooze.

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The Son
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What's the Story?
In AMC's multi-generational drama THE SON, Eli McCullough (Pierce Brosnan) is a Texas cattle baron interested in gaining a foothold in the oil industry, and damaged by a past that included being taken captive by local Comanches as a young boy. His son Pete (Henry Garrett) despairs of his father's brutal business practices, particularly when they affect his young daughter, Jeannie (Sydney Lucas); older brother Phineas (David Wilson Barnes) is far more interested in the cash his dad stands to make by taking advantage of their land's oil rights. Meanwhile, the McCullough's neighbors the Garcias are lost in their own dramas. Patriarch Pedro (Carlos Bardem) has already lost one son-in-law to the conflict between Mexican-American Texans and white settlers; he's concerned that fiery son-in-law Cesar Sanchez (Elliot Villar) will soon follow suit. As the McCulloughs, the Garcias, and other locals joust for power, there's only one thing that's clear: There's a lot of money and power at stake, and the family that controls the oil gets both.
Is It Any Good?
Historical conflicts are typically a juicy setting for dramas and this one boasts talented and appealing actors, but unfortunately it's a bit of a high-quality snooze. The problem is mainly the show's leisurely pace -- though the drama hints that the McCulloughs are oil-barons-to-be, the timeline skips back and forth between Eli as a young boy living in semi-slavery with the Comanche, and Eli as a cattle rancher and patriarch. To what end, exactly? It seems that the drama is hinting at parallels between the grown-up Eli who's increasingly worried about local Mexicans intruding on his ranch, and the Comache's attempted extermination of settlers on their land, which resulted in Eli's capture and imprisonment, but it takes an awfully long time to point that out, and meanwhile things stagnate.
There are an awful lot of shots of characters talking in hushed tones in darkened rooms, men squinting into the middle distance with firearms in holsters, horses, cows, fields of corn. It just doesn't add up to a crackling plot, or a grabby one. It's beautifully shot, well-acted, and based on solid source material -- the 2013 book of the same name was a finalist for the Pulitzer Prize for Fiction. But The Son just isn't the kind of TV that makes viewers long to know what comes next. Pity.
Talk to Your Kids About ...
Families can talk about The Son's portrayal of a specific historical time period and whether that portrayal seems accurate or exaggerated. What details make what you're seeing seem more realistic? (Think about violence, language, and costuming, to name a few.) How does the show compare with what you know to be true about the American West during that era?
How does the show address the racism of the time period? Whose perspective is the story told from? Do minority characters have much of a voice? How did America's westward expansion affect the lives of Native Americans and Mexican-Americans?
What role did oil play in our nation's growth? Is the discovery and use of fossil fuels truly positive for everyone involved?
TV Details
- Premiere date: April 8, 2017
- Cast: Pierce Brosnan, Carlos Bardem, Elizabeth Frances
- Network: AMC
- Genre: Drama
- TV rating: TV-MA
- Last updated: February 27, 2023
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