The Son
Parents say
Based on 8 reviews
Common Sense is a nonprofit organization. Your purchase helps us remain independent and ad-free.
The Son
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.
Suggest an Update
A Lot or a Little?
The parents' guide to what's in this TV show.
What Parents Need to Know
Parents need to know that The Son is a series about a Texas oil family in 1915, and the early life of its patriarch. The series tackles mature subject matter and contains frequent violence: gunplay, shootings, deaths by stabbing/bludgeoning that takes place onscreen, torture (including a horrifying scene where a man's ear is sliced off when his torturers can't get information out of him). A dead man is seen hanging from a tree with his decomposed green face visible; character imply his murder was justified because he's a cattle thief. A family is attacked by Native Americans and the women in the family killed and the house set on fire; family members scream in pain and terror as the deaths occur. Cursing and strong language: "ass," "goddamn," "bulls--t," "bastards," "s--t," "hell." Racial slurs are also frequent: Mexican people are called "mexos" and other archaic names; Native Americans often referred to contemptuously as "Indians"(though sometimes called by tribal names: Comanche, Apache, etc.). Adults drink liquor at parties and bars and talk about drinking to deal with problems. Characters are complex and often act in a less-than-heroic fashion, particularly when profits are on the line.
Community Reviews
Report this review
Okay TV show
Report this review
What's the Story?
In AMC's multi-generational drama THE SON, Eli McCullough (Pierce Brosnan) is a Texas cattle baron interested in gaining a foothold in the oil industry, and damaged by a past that included being taken captive by local Comanches as a young boy. His son Pete (Henry Garrett) despairs of his father's brutal business practices, particularly when they affect his young daughter, Jeannie (Sydney Lucas); older brother Phineas (David Wilson Barnes) is far more interested in the cash his dad stands to make by taking advantage of their land's oil rights. Meanwhile, the McCullough's neighbors the Garcias are lost in their own dramas. Patriarch Pedro (Carlos Bardem) has already lost one son-in-law to the conflict between Mexican-American Texans and white settlers; he's concerned that fiery son-in-law Cesar Sanchez (Elliot Villar) will soon follow suit. As the McCulloughs, the Garcias, and other locals joust for power, there's only one thing that's clear: There's a lot of money and power at stake, and the family that controls the oil gets both.
Is It Any Good?
Historical conflicts are typically a juicy setting for dramas and this one boasts talented and appealing actors, but unfortunately it's a bit of a high-quality snooze. The problem is mainly the show's leisurely pace -- though the drama hints that the McCulloughs are oil-barons-to-be, the timeline skips back and forth between Eli as a young boy living in semi-slavery with the Comanche, and Eli as a cattle rancher and patriarch. To what end, exactly? It seems that the drama is hinting at parallels between the grown-up Eli who's increasingly worried about local Mexicans intruding on his ranch, and the Comache's attempted extermination of settlers on their land, which resulted in Eli's capture and imprisonment, but it takes an awfully long time to point that out, and meanwhile things stagnate.
There are an awful lot of shots of characters talking in hushed tones in darkened rooms, men squinting into the middle distance with firearms in holsters, horses, cows, fields of corn. It just doesn't add up to a crackling plot, or a grabby one. It's beautifully shot, well-acted, and based on solid source material -- the 2013 book of the same name was a finalist for the Pulitzer Prize for Fiction. But The Son just isn't the kind of TV that makes viewers long to know what comes next. Pity.
Talk to Your Kids About ...
Families can talk about The Son's portrayal of a specific historical time period and whether that portrayal seems accurate or exaggerated. What details make what you're seeing seem more realistic? (Think about violence, language, and costuming, to name a few.) How does the show compare with what you know to be true about the American West during that era?
How does the show address the racism of the time period? Whose perspective is the story told from? Do minority characters have much of a voice? How did America's westward expansion affect the lives of Native Americans and Mexican-Americans?
What role did oil play in our nation's growth? Is the discovery and use of fossil fuels truly positive for everyone involved?
TV Details
- Premiere date: April 8, 2017
- Cast: Pierce Brosnan, Carlos Bardem, Elizabeth Frances
- Network: AMC
- Genre: Drama
- TV rating: TV-MA
- Last updated: April 1, 2022
Our Editors Recommend
-
Hell on Wheels
Gritty drama revels in Wild West's vices and violence.
-
Breaking Bad
Morally ambiguous show is all about crime, iffy choices.
-
Westworld
Thoughtfully creepy sci-fi has lots of sex and violence.
For kids who love dark drama
Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
See how we rate