Parents' Guide to American Assassin

Movie 2017 R 111 minutes
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Common Sense Media Review

Jeffrey Anderson By Jeffrey Anderson , based on child development research. How do we rate?

age 16+

Poorly written, violent thriller about cold-blooded revenge.

Parents Need to Know

Why Age 16+?

Any Positive Content?

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Parent and Kid Reviews

age 16+

Based on 8 parent reviews

age 15+

Based on 11 kid reviews

Kids say this movie is an intense action-packed film that showcases the lead's strong performance and maintains a gripping focus on revenge. However, many reviewers noted that while the action and violence were thrilling, the plot failed to live up to the excitement promised by the trailer, with excessive brutality and inappropriate content making it unsuitable for younger viewers.intense actionstrong lead performanceinadequate plotgraphic violenceinappropriate content
Summarized with AI

What's the Story?

In AMERICAN ASSASSIN, Mitch Rapp (Dylan O'Brien) proposes to his girlfriend on a beautiful beach, and she says yes. But then, from out of nowhere, terrorists attack and kill everyone except Mitch, who escapes. Newly driven and focused on cold revenge, Mitch starts training to infiltrate terrorist cells and take them out. CIA Deputy Director Irene Kennedy (Sanaa Lathan) intercepts him and recruits him as a black ops agent, sending him to train with crusty ex-Navy SEAL Stan Hurley (Michael Keaton). Their first mission is to track nuclear weapon components that are being sold on the black market. But when they discover who's actually assembling the weapon, they must change their tactics.

Is It Any Good?

Our review:
Parents say ( 8 ):
Kids say ( 11 ):

Based on a novel by Vince Flynn, this thriller adds "American" to its title in an effort to sound important or entertaining; it's not. Rather, American Assassin is clumsily written and directed and frequently absurd. Playing a crusty, veteran agent, Keaton brings the film its only real personality, but he's not enough. The rest of the cast, including O'Brien, is hopelessly bland.

Four writers -- including noted filmmaker Edward Zwick -- are credited with cobbling together the screenplay, which consists mainly of laughably bad expositional dialogue and awkward attempts to cover up plot holes. Director Michael Cuesta, who previously made the excellent Kill the Messenger, surprises with his lack of skill here, resorting to muddy cinematography and jigsaw editing to distract from the lack of coherence. The ending is especially awful, not only in its drastic departure from the movie's already ill-fated logic, but also in its blatant disregard for humanity in general.

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