A Lot or a Little?
What you will—and won't—find in this movie.
One of the most important messages in this movie is letting go of words that rile you up -- not taking the bait when bullies try to demean you. It's good for kids to learn that words, although they hurt, don't need to catalyze you to do self-destructive things. Marty finally learns this lesson at the very end of the film. Doc's decision also shows that in the end he values love over all else.
Positive Role Models
In addition to Marty and Doc Brown, who always demonstrate the importance of loyalty, friendship, and trust, this trilogy installment benefits from the introduction to Clara, a sweet and kind teacher who falls in love with Doc Brown and stands up for herself against the town bullies.
Violence & Scariness
Violence is all Wild West-style: there are barroom brawls, a shoot-out at dawn (well, 8 AM) and other old West violence, none of it particularly nasty. The Biff ancestor is aggressive and likes to push Marty and his ancestor around -- shooting at Marty's feet. When he first arrives in the Wild West, Marty encounters a group of horse-mounted Indians riding toward him with guns and arrows. In one brief scene, Marty is shown with a rope around his neck, as if he's about to be hanged -- until he's saved.
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Sex, Romance & Nudity
A couple of kisses but mostly there's a lot of longing looks between Doc and his love interest. In one scene a man makes a reference about what a woman "could do worth $80," which a child may not understand but clearly alludes to sex. Marty and his girlfriend Jennifer also exchange a couple of heated kisses.
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Some stronger words than usually heard in PG movies: "bitch," "assh--e," and "s--t," as well as mild insults like "damn you to hell," "chicken," "yellow," "coward," "lily livered," "gutter trash," and more.
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Products & Purchases
Marty wears Nike sneakers, the discontinued sports car the DeLorean is of central importance.
Drinking, Drugs & Smoking
There's drinking in the town saloon that is shown a few times. Only men are shown with drinks in hand.
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Parents Need to Know
Parents need to know that this final installment in the Back to the Future trilogy is, like its predecessors, a PG film with a tad more language than usual. But there's actually slightly less innuendo and a lot less bully-related violence in this one than in Part II. The coarsest language includes "bitch," "assh--e," and "s--t," with several insults and synonyms for "coward" thrown in on a more regular basis. Although there's romance, it's very chaste except for two kisses and one off-color reference to what a woman could do that's worth $80 to settle a debt. All of the violence involves guns and fists, and in one brief scene it looks like Marty is going to be hanged, but no one dies, and it's all kept rather comical, even when a huge group of horse-mounted Indians are riding with guns and arrows. Unlike in the first two movies, in this one Doc Brown learns love is even more important than his rules for time travel. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Somehow Robert Zemeckis, Fox, and Lloyd make the back-in-time gimmick work, and it's a pleasant surprise. After the mildly disappointing Part II, it would seem that a Wild West-themed threequel would flounder under the weight of too much time-travel confusion and overall Marty and Doc fatigue. The introduction of a love interest for Lloyd may not seem interesting to kid viewers, but as an adult viewing it through grown-up eyes, that subplot with Steenburgen is so much more appreciated. Doc was such a hermit outside of his connection with Marty, that it was a relief to see he could still have a chance at love -- especially with someone as patient and intelligent as Clara. So for the romantics at home, this installment is for you.
Humor-wise, there are plenty of in-jokes for those who've seen the first two films, like Marty's touchiness at being called "yellow." As Marty's rival, Wilson gets to unleash a whole new set of insults as he bullies everyone around him. A heavily accented Thompson returns as Marty's relative, and Fox does double duty again as his own great-great-great grandfather, but the McFly kin has less to do in this one than in the first two; the final film really belongs to Lloyd. One of the funniest moments is the saloon scene where Marty does the moonwalk when he's being shot at; it may take some explaining if your kids don't understand the significance of Michael J. Fox's signature dance move, but it's funny even two decades later. The entire trilogy is still a must-see for parents who want to share a little bit of their own youth with the next generation, even if the children won't laugh quite as hard as you do at some parts.
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