The Brave One

  • Review Date: February 4, 2008
  • Rated: R
  • Genre: Thriller
  • Release Year: 2007
  • Running Time: 122 minutes

Common Sense Media says

Foster only good thing in violent revenge fantasy.
  • Review Date: February 4, 2008
  • Rated: R
  • Genre: Thriller
  • Release Year: 2007
  • Running Time: 122 minutes

Age(i)

NOT FOR KIDS

Quality(i)

 

What parents need to know

Positive messages

Criminals and thugs are everywhere, committing violent acts with guns, knives, and heavy boots. The hero is a vigilante, which raises lots of questions about justice and morality. A good cop pursues a wife-abuser who eludes legal punishment.

Violence

Brutal tunnel attack features fast editing and disturbing camerawork (sometimes using cell-phone video footage). The attack itself includes hitting, kicking, bodies being thrown against the tunnel wall, and bloody faces, limbs, and torsos. The subsequent hospital scenes feature frantic ER rushing, bloody clothes being cut off, and images of horrific injuries (including visuals of a woman shot in the head). Erica's post-attack face is a darkly bloody pulp. A cop asks a young girl if her stepfather "hurt" her mommy. Erica enters a gun shop, then buys a handgun illegally. Other very loud, bloody scenes include a man shooting a woman in the chest and Erica shooting him in neck (bottles smash, blood on the floor); Erica shooting two thieves on a subway; and Erica holding gun to pimp's head, then shooting him as he tries to run her over.

Sex

Flirty talk between loving couple ("What are you wearing?"); tender, passionate kiss. A brutal attack is intercut with a flashback to a sex scene -- which focuses on faces and close-ups of body parts, including nipples and hands on torsos. Slangy references to people and body parts ("dick," "that little whore," "t--ties").

Language

Frequent uses of "f--k," plus "bitch," "s--t," "ass," "a--hole," and "hell." Erica calls herself a "super c--t." Other salty phrases ("rap sheet longer than my dick," "Christ on a cracker," "the show sucked," "prick").

Consumerism

In a convenience store scene, the majority of visibly labeled products are Coca-Cola brands (Sprite, Fanta, 7-Up, Dasani). Images of an iPod, with artists listed (Dixie Chicks, Radiohead, U2).

Drinking, drugs, & smoking

Erica takes prescription pills; Mercer also takes pills (could be off-the-shelf painkillers -- hard to tell). Erica smokes cigarettes repeatedly. Mercer drinks in a bar. Erica tosses her cigarette and pills in the toilet. Reference to "crackheads."

Parents Need to Know

Parents need to know that this dark, mature revenge drama uses brutal violence and subjective images to play up its dire emotions. Within the first few minutes, a young couple is horribly attacked by a gang in a scene featuring hard hits and kicks, blood, and screaming. Subsequent violence includes loud and ferocious shooting, stabbing, beating, cars crashing, and a body that's been thrown from a high parking garage floor (viewers don't see the throw, but they see the body). Hospital scenes feature close-ups of bloody bodies and faces. There's some kissing, plus a sex scene (intercut with the violent attack) that shows bare breasts/nipples. Language is fierce, including multiple uses of "f--k."

Parents say

Kids say

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What's the story?

At the beginning of THE BRAVE ONE, radio personality Erica Bain and her perfect fiancé David (Lost's Naveen Andrews) are brutally beaten by stereotypical-looking gangster kids. When she awakes from her coma, Erica learns that David is dead, and she's beset by fear. Erica buys a gun illegally -- and, before she even has time to practice with targets, is caught up in a convenience store shooting. She makes a split-second decision, shooting the shooter before he can kill her, the unfortunate witness. Here's where The Brave One goes loopy. Where once Erica waxed poetic on her radio show about New York's variety and surprises, she now laments the menace she sees everywhere. "It is horrible to fear the place you once loved ... I always thought that fear belonged to other people, weaker people. But when it touches you, you know it's been there all along." The entire city becomes a mirror of Erica's vision. Wherever she walks, a punk, a pimp, a thief, or some other degenerate is lurking. As she shoots more bad guys -- all guys, all stereotypes -- she grows more self-possessed and aggressive. Erica has support, most preposterously in the form of a neighbor lady who virtually sanctions her violence and most frustratingly in the form of the cop on her trail. Careful, decent Mercer (Terrence Howard) is still mourning his recent divorce -- and pursuing a murderous white executive who traffics drugs and guns and now has custody of a stepdaughter who "knows something." Mercer shares his pain with Erica, she doesn't quite admit her own sins, and they develop a disturbing friendship based on lies and agreements to lie.

Is it any good?

QUALITY
 

Terribly titled and audaciously plotted, the best thing about The Brave One is getting to watch Jodie Foster piece together another complicated, determined character trying to make sense of a chaotic world. As Erica Bain, she's alternately steely and scared, restive and perplexed. But if such characteristics have become typical of Foster's recent work (Panic Room, Flightplan), Erica also recalls one of the actress' earliest and most haunting roles: young Iris Steensma in Taxi Driver. At first, the connection, across so many years and movies, seems startling. But there it is: Erica in short hair and a patterned T-shirt, her smallness emphasizing her toughness. For an instant, when her shoulders slouch just slightly and her eyes dart, she could be Iris, looking warily at frightening savior Travis Bickle. But in The Brave One, she's all alone.

>The movie has garnered attention for featuring a vengeance-minded woman, since that role is usually reserved for men in movies. But The Brave One almost more interesting for what it doesn't do so well. In making Erica into that familiar character, the film misses a chance to explore how vengeance works, what makes it seem right or righteous. Erica's reactions are mixed: Her newly confident walk is juxtaposed with her concern that her "hands don't shake" when she fires her weapon. It's as if you're watching the effects of all that abuse and violence on 12-year-old Iris, now an adult who sees payback as costly but necessary. Travis Bickle also thought he was on a moral mission to "clean up" the city. But he was only one element in a process, part of the depravity, desperation, and fear he so despised. Erica says she feels like a "stranger" to herself, but her movie makes her conventional, even correct, in her assessments. And that's more frightening than Travis ever was. The film amplifies the drastic changes in Erica's sense of self ("I miss who I was with him") and place with point-of-view tricks: The lens tilts and seems to warp as Erica tries to walk out of her apartment for the first time, the soundtrack is blurry, shadows engulf her. Her anxiety is made concrete when the detectives working her case prove less than interested. And with that, the movie changes too, from a contemplation of loss to a vigilante fantasy.

Families can talk about...

  • Families can talk about the concept of revenge, which the movie revolves around. Does it make you feel better to "get back" at someone who has wronged you? Is violent vengeance ever justified? Parents, talk with your kids about the difference between real life and fantasy -- even teens. Point out that consequences exist -- even if it makes you feel humorless. The fact that violent movies stimulate parts of the brain is worth a reminder. Also, how do Erica's efforts to "clean up" the city streets challenge gender expectations? Why do so many people assume the killer is a man?

Movie details

Theatrical release date:September 13, 2007
DVD release date:February 4, 2008
Cast:Jodie Foster, Naveen Andrews, Terrence Howard
Director:Neil Jordan
Studio:Warner Bros.
Genre:Thriller
Run time:122 minutes
MPAA rating:R
MPAA explanation:strong violence, language and some sexuality.

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  • ON: Content is age-appropriate for kids this age.
  • PAUSE: Know your child; some content may not be right for some kids.
  • OFF: Not age-appropriate for kids this age.
  • NOT FOR KIDS: Not appropriate for kids of any age.

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Quality

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Adult Written byKasey114 April 9, 2008
AGENot rated for age
QUALITY
 

Best Film so far this year--Foster at her Best

Best film of the year. Best Actress. I entered the theater fearful that Foster would continue her recent trend toward becoming the female counterpart of Bruce Willis… Female Die Hard --Yet Again. I enjoyed both Flightplan and Panic Room, and as a female action hero she does a wonderful job -- svelte, mixing physicality and intellect. (Yes , yes, those films were more psychological thrillers than action films, but SHE seemed like an evolved action hero in them.) So, I feared the new ‘vigilante’ movie would be a good move, but more of the same. GREAT films need more, and this one delivered. The acting, writing, the direction, the editing… it was all fabulous. Foster is far more than an action hero here; she is at the top of her game. “Erica Bain” is the most complicated and complete character Foster has played in years, hauntingly real and tragically altered. It's great to see Foster using multiple layers. The sensual scenes; the laughter and delight and tenderness; the pain; the fear; the struggle to be reborn; the willingness to give up her life to find it; the ability to be noble, susceptible and good in the midst of violence, confusion and rage…Foster does it all and she does it all so very, very well. She owns this role. Terrance Howard ably and convincingly supports her as Mercer, the lead investigator who is drawn to her personally, and the subtle humor written for his sidekick cop partner is just right, genuine and sprinkled through the film to perfection. Erica's doctor fiancé, David (Naveen Andrews) brings the same mixture of gentle spirit and deep sensuality that we saw in the English Patient, and it worked well here to set the stage for the contrast that would follow. Great films need sub-themes, symbolism, something that provokes us to think. This one does not disappoint. The script and direction take great care not to become mired in the action line, which would have left this as just another good psychological thriller. We find the depth of Erica’s character and her fear and her process. As an example, after recovering, the first time she moves to exit her apartment through its long, dark hallway, we recall the tunnel in which she and David were brutalized and we understand the fear that holds her indoors. And when she does finally pass through that corridor, back out to face the world, we understand the concept of her rebirth into another person. In the closing scene she crosses through the tunnel itself again, and even as she tells us that she can never go back to the person she first was, we are hopeful that she can, or that she can pass through this canal yet again, leaving behind the tortured soul who morphed from fear to determination to hunter, to reclaim a life that has room for comfort and new love. The homage to Taxi Driver is done quite well, but there is far more to the subtext of this film. It dares us to measure the thin lines separating law and justice, good and evil, right and wrong, intellect and irrationality, passion and brutality, fragility and strength, bravery and fear. Life IS ambiguous. Morality is not black and white. Judgment is not always appropriate. The film does not take a side on these issues. Both Erica and Mercer struggle with the interior debate. The nominal role of the good neighbor woman is the vehicle for expressing the ultimate theme of this film… within each of us every potential lies dormant, yet just under the surface. All that is good, and all that is evil, may be found within each of us. How then, shall we choose to live?
Adult Written bysyndeelu April 9, 2008
AGENot rated for age
QUALITY
 

Awesome !!!!

People really should stop over-anylizing movies so much. It had two great ( and I do mean great ! ) actors, Jodie Foster and Terrence Howard. Both do intense characters VERY well. And it is what it is people. It's a fantasy I think a lot of law abiding, normal people have these days. I don't want to say too much without spoiling the movie. Let's just say I said, "You go girl !!!" about 10 times at least. And the ending is not as expected.
Kid, 12 years old April 9, 2008
AGENot rated for age
QUALITY
 
I didn't want to see this movie, and my parents made me see it, but i have to admit, i am glad they did! This movie is really good! The only gorey seen is the one where the man gets attacked by the gang members (or they looked like gang members). The shooting seens are nothing worse than you see on CSI or other shows kids watch.

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