Parents' Guide to The Orange Years: The Nickelodeon Story

Movie NR 2020 102 minutes
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Common Sense Media Review

Tara McNamara By Tara McNamara , based on child development research. How do we rate?

age 10+

Millennial-targeted docu is sweet but lacks punch.

Parents Need to Know

Why Age 10+?

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Parent and Kid Reviews

age 9+

Based on 1 parent review

What's the Story?

THE ORANGE YEARS: THE NICKELODEON STORY reflects on how Nickelodeon got its start -- and eventually developed into a powerhouse cable network. Under the guidance of Geraldine Laybourne, the channel took an out-of-the-box approach to programming that explored how to talk with their young audience rather than down to them. It features interviews with Christine Taylor, Kenan Thompson, Drake Bell, Melissa Joan Hart, Danny Cooksey, and Coolio, among others.

Is It Any Good?

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Parents say ( 1 ):
Kids say : Not yet rated

Nostalgic Millennials who love anything that sparks warm childhood memories will enjoy this love letter to the first kids' network, which offers tasty recollections without any sour grapes. It's meant to be an "I Remember That!" heart flutter with a side of "Wow, They Really Loved Us" attitude. Honestly, it's so flattering that you can imagine it being required viewing for new hires at Nickelodeon. While some of the information in The Orange Years might be helpful in understanding how to connect with young viewers, overall it's light on insights and heavy on behind-the-scenes tidbits. But unlike entertainment retrospectives that rack up views on YouTube, this one includes almost no inclusion of internal struggles, drama, or conflict. There's no recognition of how Nickelodeon countered the competition (*ahem* Cartoon Network and Disney Channel). Nor is there substantive self-reflection about some of Nickelodeon's flops or mistakes. The network's first two decades are examined through the glow of an orange lens, rather than from a journalistic point of view.

That might be enough for the Millennial demographic that this Indiegogo-funded doc was made for. But at the same time, those who lived through the era know that the movie's hearts-and-daisies perspective isn't entirely accurate. For instance, the development executive who greenlit Ren & Stimpy talks about her creation as a huge success and suggests that she didn't realize that its content was rude, violent, or offensive ("animators are very sneaky people"). And there's zero mention of the abusive and predatory behavior of that series' creator, John Kricfalusi. The execs also speak about Laybourne abstaining from merchandising for a long time, but once the network turned the corner (and, boy, did it do a 180), the move to tie-ins galore is framed as somehow being revolutionarily beneficial to their very young audience instead of profiteering. The movie's self-congratulatory tone overshadows its few acknowledgements of missteps. For today's kids, there's just not enough here to keep most of them engaged. Where it is relevant to them -- and their parents -- is that Nick is now rifling through its catalog and bringing back many of its '90s staples, including Blue's Clues, All That, Are You Afraid of the Dark?, and Double Dare. But as The Orange Years devolves into a timeline of Nickelodeon's greatest hits, it becomes the network's greatest nightmare: boring.

Talk to Your Kids About ...

  • Families can talk about Nickelodeon's strategy in creating programming that acknowledges "the value and dignity in letting kids be kids." What does that mean, and do you think they achieved that with the shows you've seen? Does "being a kid" look the same to all types of children?

  • One executive praises her boss' management style of trusting her to do her job but then says because there was little oversight, inappropriate content made it to air and was watched by millions of kids. What do you take away from this? What does it mean to be held accountable for mistakes -- and what happens when people refuse to take responsibility?

  • Is this film a work of journalism? Why, or why not?

  • Do you agree with the interviewee who said that "all kids feel stupid and alone on the inside"? Is it comforting to feel that your peers might also be struggling with complicated feelings? Do you think entertainment programming succeeds in demonstrating that feeling awkward is a widely shared experience?

Movie Details

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