Family movie has comedy and action, but racist overtones.
Parents Need to Know
Why Age 7+?
Any Positive Content?
Parents Need to Know
Parents need to know that The Road to El Dorado is a DreamWorks animated film set in the early 16th century about two Spanish con artists (voiced by Kenneth Branaugh and Kevin Kline) who discover the fabled lost "city of gold" and are mistaken for gods by the locals. The portrayal of Indigenous people is racist, with the White characters poking fun at their customs and religion and a maniacal Indigenous priest shown to be more evil than the Spanish conqueror based on a historical figure, Cortes, who brutally colonized the region. An Indigenous female character is also hypersexualized in a stereotypical way. There's physical fighting and sword fights, blood from a knife cut on someone's hand, stormy scenes at sea, and a giant statue coming to life and terrorizing the city. Brief nudity is shown from behind in a nonsexual context, and there are scenes of flirting and kissing. Occasional language includes "hell," "crappy," etc. The overall tone is light and humorous, but the racist portrayal of people and events means parents may want to discuss some of the themes and historical accuracy with kids, while the younger ones could also find the frightening scenes too much.
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Sex, Romance & Nudity
some
Brief, full nudity from behind after monkeys steal Miguel and Tulio's clothes. Characters flirt, kiss on the lips, give each other shoulder massages, and lie together clothed behind a couch, with kissing noises in background. An Indigenous female character is hypersexualized, walking with swaying hips and clothing that exposes a curvaceous figure. She bites her lip seductively and watches the men change. A suggestive comment wonders where she hid a pair of dice beneath a skimpy outfit.
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Characters physically fight, including slapping and punching in the face, and there's also sword fighting. A human sacrifice is narrowly averted, though a person is pushed into a potion later and presumed dead. Characters are hit on the head with a bag filled with gold, bitten by a piranha, captured and shackled; they fall from great heights into swirling water (but survive); and a skeleton is seen with a sword through the head. A giant jaguar statue chases people, who are nearly crushed by other toppled statues. A character cuts their hand with a knife and wipes blood on a statue. People fire guns into the air in celebration. Characters make threats, such as "I'll cut you to ribbons" and a throat-slitting gesture. Stormy moments at sea, with shark fins surrounding a boat and a seagull eaten by a shark.
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Occasional language includes "hell," "crappy," "dumb," "butt," "holy ship" in place of swearing, "oh my God" (as an exclamation), "creep," and "mincing twit." "Lying heathen" is said by a Spanish character to an Indigenous character.
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Characters hold drinks with umbrellas and fruit garnishes, which look like cocktails. They raise goblets to toast, but they're spilled before they can drink. A horse appears drunk and falls over. Characters shown with cigars in their mouths; one is briefly lit.
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Intended to entertain, the film gives a historically inaccurate representation of Spanish colonialization in South America. It paints two White men as heroes, and a local high priest as a stronger evil than the invading Spanish troops.
Positive Messages
very little
Friendship is more important than riches. Perseverance and teamwork can be powerful forces. However, there's also the message that Indigenous cultures benefit from being "liberated" or "saved" by White men.
Positive Role Models
very little
Miguel and Tulio lie and cheat to make a living: They fix betting games in Spain and pretend to be gods to steal Indigenous people's gold in El Dorado. Though they learn that friendship is more important than riches, and begin to show greater respect for the local people, their saving the city from Spanish invaders feeds into a White savior narrative. The high priest is scheming and power hungry, constantly suggesting human sacrifices. He is portrayed as even more evil than Spanish invader Cortes. Indigenous woman Chel is highly sexualized in a stereotypical way and attempts to seduce Miguel and Tulio as her ticket out of the city.
Diverse Representations
Flagged for concern
Racist depictions of Indigenous people -- who show a mix of Maya, Inca, Aztec, and Olmec influences in the film -- begin with their first communication heard purely in grunts and the White characters referring to their "mystic mumbo jumbo," laughing at how easy they are to fool. Only three Indigenous characters have speaking roles: One is depicted as a tyrannical priest obsessed with human sacrifice. Another -- the only woman with a speaking part -- is hypersexualized and practically offers herself to a lead character. She shows intelligence and street smarts at the start but is reduced to being giggly and submissive when she falls for one of the leads. Otherwise, women are shown to offer gold and food, or carry babies. The song "It's Tough to Be a God" sees the lead characters dancing and imitating a god with six arms, and casually singing about psalms and salaams, which shows a lack of respect and understanding for the local religion. The film is historically inaccurate, using a White savior narrative to follow two likable White men who free the people of El Dorado from a maniacal Indigenous priest, and later protect them from colonization by Cortes, the real-life Spanish conquistador responsible for wiping out large portions of the Indigenous population.
Kids say that while the film features stunning visuals, clever characters, and themes of friendship and redemption, it also contains numerous inappropriate elements such as sexual innuendos, mild swearing, and suggestive scenes that make it unsuitable for younger audiences. Many reviewers argue that the film, although entertaining, should be assigned a higher age rating due to its mature content, including the portrayal of sexism and the use of unethical role models.
visual appeal
inappropriate content
mixed reviews
adult themes
questionable role models
Summarized with AI
What's the Story?
In THE ROAD TO EL DORADO, Spanish con men Miguel (voiced by Kenneth Branaugh) and Tulio (Kevin Kline) find themselves on the adventure of a lifetime when they win a map to the legendary city of El Dorado and accidentally set sail aboard the ship of Spanish conquistador Cortes (Jim Cummings) en route to "conquer the new world." On discovering the city, they're mistaken for gods by maniacal priest Tzekel-Kan (Armand Assante) and the friendly chief (Edward James Olmos), but with danger lurking from within the city and beyond the walls, can they keep up their charade long enough to steal the fabled gold?
Families can talk about how The Road to El Dorado compares with other animated adventures they've seen. How did you feel about the two main characters? Which moments stood out to you and why?
How do you feel about the film's depiction of the Indigenous population? Why is it important to be aware of how we portray groups and populations on-screen? Do you think it's more important when a film is based in history? Why, or why not?
Miguel and Tulio start off working as con men and also take advantage of the people of El Dorado. Do you think their characters grow during the movie? Do they learn anything about themselves or others?
MPAA explanation
:
mild thematic material and language
Last updated
:
October 1, 2025
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